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No part of this book may be repro- duced or transmitted in any form or by any means with- out permission in writing from The Pepin Press BV. Box EH Amsterdam mail pepinpress. Before beginning the study of the figure, it is a good idea to carry out exercises to loosen the hand, in order to get rid of any tension or apprehension.

Sketch a number of lines, concentric curves, spirals, hatching and cross- hatching until you feel a sense of relaxation both emo- tionally and physically.

These exercises also serve to relax the excessive rigidity common in the wrist of the inexpe- rienced artist. During this phase use various grades of pencils that will allow you to sketch lines of varying thick- nesses. Get used to measuring out the pressure of the hand on the paper by sketching some lines with the finest of strokes and others with more incisive ones. By the systematic study of the drawings presented in this book, the student will find useful drawlng in his training, which will lead him or her to practise at a professional level.

We would advise you to work through the book con- sistently without missing out chapters. Practise repeat- edly on all the suggested poses, starting with the structur- al analysis and finishing with the drawing in outline. Finally, draw your own designs, trace them, and colour them in. By dividing the height of the body into two equal parts, we will see that the head and figure drawing for fashion design elisabetta drudi free download upper body take up four units of measure, whilst the legs take up the other four.

From antiquity the human body has been a subject of study for many scientists and artists who have established canons of proportion suitable for the age in which they lived and for the conception of the figure prevailing at the time. Among the many canons which have been proposed we have chosen the Greek one, because elisabetta regard it as the simplest and the one most adapted to our purposes.

In this canon the slisabetta is regarded as a unit of measure to establish all the other subdivisions, resulting in a нажмите чтобы узнать больше height of the body of eight units of measure. In order to achieve a harmonious reproduction of the female figure in accordance with the figure drawing for fashion design elisabetta drudi free download of fashion, it has been necessary to modify slightly the relative size of some parts of the body, whilst leaving the overall body and the division into sections unchanged.

This particular and rather unrealistic posture gives eelisabetta elan and elegance to the leg, moreover allowing visualiza- tion in detail of the type of footwear worn when viewed from above. Another slight modification is the elevation of the waist and of the pubic region shortening the pelvis a little, allowing the fi gure to appear taller and more slender. Finally, to accentuate the height further, the bulk of the body has figure drawing for fashion design elisabetta drudi free download slimmed down.

We shall call this modified code figure drawing for fashion design elisabetta drudi free download fashion canon. The measurements of this canon serve as a means of creating ideal proportions, hence they are rare in reality. However, the aim is to find a way to achieve an accurate and harmonious representation of a female figure. Having made these basic introductory remarks, let us move drrudi to the examination of the fivure aspects of the canon, outlining the fundamental points in order of occur- rence.

In order to emphasize better the articulation of the figure, the lower and the upper limbs have been made to rotate around the body. In this way the shoulder is included in the upper body and the leg in the pelvis as they are raised laterally. As you can see, the figure has been made thinner and the pelvis is narrower than the shoulders. The half unit of measure which has been added is for the exten sion of the figure drawing for fashion design elisabetta drudi free download.

All of the joints have been repre- sented by small circles drawn inside the body. Draw the median axis, which in this case is parallel to the vertical axis, then the oval shape of the head, being care- ful not to make it too wide.

The distance between the temples will determine the width of the shoulders, and in their turn the shoulders will determine the width of the pelvis in the fourth seg- ment of the diagram. Finally download security structure of the legs and the arms should be sketched emphasizing all of the joints. It is also necessary to proceed with download winnem method when working with other positions, always correctly portraying the relationship between one figure and another.

They are static and rigid postures of which the outlines H 2 4 5 6 8 8. The arms and the hands extend from the second to the fifth segment. The eyes represent the most emotive part of the face, because they assume an infinite variety of expressions which are capable of communicating the most varied feel- ings.

In a face the eyes are certainly the most truthful reflection of a state of mind. It is not by chance that the first contact with another person is indeed determined by the eyes. Among the various features of the face they are certainly the most important.

It is inconceivable to draw fashion designs without portraying the eyes, as one would be depriving oneself of the soul. Technically the effect of light is obtained by making small white circles inside the iris and the pupilwhilst giving greater prominence to the shadow which the upper eyelid projects upon the eye. In the first drawing the eye is sim ilar to real life, sketched with darker shadows and half shadows.

The second eye is more artificial, the half shadows having been The third eye is more stylized and has more clearly defined outlines. The eye is protected by the eyelids, the upper one being thicker and broader while the lower one is thinner.

Seen from fasyion front, the eye has the shape of an almond, while in profile it assumes a triangular aspect. Important embellishments to the eyes are the eyelashes and the eyebrows, which according to their shape and width lend a profundity to the eyes.

Doownload order to draw the eyes accurately give greater emphasis to the lower edge of the upper eyelid and cast a light shad- ow across ссылка на продолжение iris.

Left: Representation of the real eye with the technique of chiaroscuro. Middle: Structural analysis of the eye. Right: Downloxd drawing of the eye. The half shadows have been removed, greater emphasis has been placed on the outline and on the inside of the upper eyelid.

On of the exact posi- eyes, visualizin the face as if i g part of The s t were a mask. Every face has a different nose which sometimes gives it a decisive appearance. For this proportional analysis we select a well-propor- tioned nose, figure drawing for fashion design elisabetta drudi free download if it is generic in form. For an accurate frontal portrayal we enclose the nose in an elongated trapezium at the bottom of which we sketch three circles, forr central one being larger and the two side ones being smaller.

The drwwing is divided into the septum, the alae and the nos- trils. It is attached to the mouth by the nasal sulcus, which when seen in profile corresponds to the groove beneath the mouth. Always in profile, the hollow above the nose is on the same line as the groove below the mouth. Frontal view Side view 28 Foreshortened view View from below www. Structurally it is made up of an external border called a helix, and an internal one called an anthelix, a softer lower feature at the bottom, the lobe, a protrusion which protects the inside of the ear, the tragus, the tuber- cle, a small swelling on the curve of the helix and finally the concha of the auricle.

The height of the ear corre- sponds to that of the nose. The upper line of comparison AB aligns the hollow at the top of the nose, the upper eyebrow and the tip of the figure drawing for fashion design elisabetta drudi free download, whilst the lower one CD aligns the bottom of the nose with the bottom of the ear. Where the lips join corresponds to a point one-third across each eye AA’ BB’.

The trapezoidal sulcus is found between the nose and the mouth, its central axis dividing the mouth exactly into two equal parts. Sketches of mouths from different perspectives. Seen in profile the upper lip is more exposed than the lower. All of the visualizations are drawn with the help ссылка на продолжение lines of construc- tion.

The body has no other anatomical part as diversified in its form, size, proportions and expression. Therefore an in-depth analytical study is necessary, accompanied by systematic exercises to acquire the nec- essary ability to reproduce the head by rote. The overall structure of the head is similar to an egg, whose upper part consists of the cranium and whose lower part consists of the face and the jaws.

The drawings below show three highly simplified repre- sentations of the head and each has been divided into four sections figure drawing for fashion design elisabetta drudi free download drawing in the horizontal axis AB and the ver- tical axis CD. FA The rule used is one of three divisions from the hairline to the tip of the chin, because it has been shown to be download unreal tournament 2004 full version pc simplest from the point of of drawing it.

It was Leonardo da Vinci who established that the perfect oval must be divisible into three equal sections measured from the hairline to the upper eyelid, from there to the bottom of the nose, and finally from the bottom of the nose to the tip of the chin. The student should use this rule to draw a female face correctly. The horizontal diameter F -G determines the location downlkad the eyebrows.

In this way we will establish the cranial area CA and the facial area FA. The highlighted part of the central section of the straight line L-M describes the width of the base of the nose. Let us elisabetra proceed to sketch the almond-shaped eyes and the trapezoidal shape of the nose Fig. B B Fig. Then let us retouch the oval, adding to the face more feminine features.

Then let us project a distance xtreme game free download strike v5 counter pc one-third of the eyes elisabetfa far as the li ne of the mouth, thus figure drawing for fashion design elisabetta drudi free download the extremities of the lips.

Let us finish these sketches of the face by drawing the ears, whose height is equal to the line which links the upper eyelid to the base of the nose. Finally let us draw the eyebrows in a curved fashion figure drawing for fashion design elisabetta drudi free download at their highest point the bottom of section I. II II Fig.

To find where the deaign joins the head, let us extend the horizontal line that extends from the base of the lower lip until it touches the oval at the points N From the base of the chin B let us draw a straight line BP, the height of one section of the rectangle, establish- ing the hollow, the height and the width of the neck.

As a last exercise trace the result- ing outline giving clarity to the features of the face, the neck and the hair Fig. The ear inserted into section B is to be dfawing behind the jaw in a slanting position. Many students when they repro- duce the human figure or a part of it have difficulty in envisaging size from the point of view of perspec- tive and therefore vree what they want to draw into space.

This very fesign results in drawings which are flat and shapeless. Getting used to taking into consid- eration the concave part of the head as well helps in overcoming these errors of vision. Lines of construction and gentle shading determine more clearly the size of figure drawing for fashion design elisabetta drudi free download head.

Every movement of the head results in a new redefinition of the figure and its visual aspects. In these pages we see visualized some faces portrayed from a vari- ety of angles. The structure of the oval is emphasized by a neutral background the better to empha- size in each rotation the resulting proportions. Triangular face These drawings drawijg the most common facial characteristics among women. Its variety of movements and joints obliges the student to undertake an infinite series of studies whether from frfe or from memory, with the aim of reproducing it accurately in harmonious proportions and from various angles.

Fashiin well-drawn hand confers more grace and femininity on the fashion plate, a badly designed hand compromises its overall harmony. Analysis of Structure Proportionately speaking, the hand is as long as the face.


Figure drawing for fashion design elisabetta drudi free download


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EMBED for wordpress. Want more? Advanced embedding details, examples, and help! To give an accurate impression of what is in a designer’s mind it is vital to have complete mastery of the rules of figure drawing.

Here, realism and anatomical precision are the chief values, whereas for costume and fashion, stylization and exaggeration are ways of adding individuality and verve to a plate, and of focusing attention on specific elements. Figure Drawing for Fashion Design offers a concise, topic by topic guide to acquiring and perfecting these skills, concentrating on the female form.

The coverage provided means that this book is ideal both for those who want to apply themselves professionally to fashion design, and for all enthusiasts of drawing the human body. There are no reviews yet. Be the first one to write a review. Books for People with Print Disabilities. Internet Archive Books.


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